Showing posts with label Billboard. Show all posts
Showing posts with label Billboard. Show all posts

27 October 2013

300!


300! How did we get here? In some ways I can’t believe I’m already at my 300th post and in other ways, it’s hard to remember a time when I wasn’t doing this...and I will add that I would not recommend that someone not have a chance to be off their computer for 365 days straight.  
As I approach the final stretch, I find myself simultaneously ready for it to be over and sad that the year is coming to an end. But most of all, I want to make sure that the positive changes my experiment has brought in me continue after I’m spending time blogging every day. I have to figure out how to keep an open and kind heart even when I’m not actively looking for people to honor who are out there slaying dragons on a daily basis. 
I spent a lot of my time today writing about Lou Reed, who died today a 71. I interviewed him in 1996 for Billboard and it remains one of my favorite memories of my time there, simply because interviewing Reed for a journalist was a bit like getting into the ring with a bear. It felt like a rite of passage and many of us have our stories about tangling with him. Today, as I read a number of other pieces about him, I realized how much more I had to learn about his and the Velvet Underground’s music and am thankful that even when a great artist leaves us, his or her work lives forever for us to discover anew. 
New York’s Lower East Side and Reed are synonymous, so today I’m giving to the Henry Street Settlement, a wonderful organization that serves Lower East Side residents through health care, social services and arts programs. It is a part of the neighborhood for 120 years and has made a real difference to those who use their services. It has expanded its programs to adjust to the changes in the LES over the decades with compassion and an understanding that serving the whole person —through feeding their soul and heart and dreams as much as their hunger— is vital. 

Click here to get “Causes and Effects” delivered every day to your email inbox (the subscription link now works) or enter your email in the top right corner.



29 September 2013

Being Alive



“Normal day, let me be aware of the treasure you are. Let me learn from you, love you, bless you before you depart. Let me not pass you by in quest of some rare and perfect tomorrow. Let me hold you while I may, for it may not always be so. One day I shall dig my nails into the earth, or bury my face in the pillow, or stretch myself taut, or raise my hands to the sky and want, more than all the world, your return.” ~ Mary Jean Iron

A friend of mine posted this prayer of sorts on Facebook today and it really struck me. There’s such a difference between living and being alive. While I was at the beach for two weeks earlier this month, I felt alive and I felt in communion with nature. Since I’ve been back in Los Angeles, the old stresses have returned and I have worked at a daunting pace. (As anyone who freelances knows, this is a blessing and I feel grateful, but at the same time, it’s exhausting to churn from deadline to deadline).

I’ve been aware of the lack of joy in my life this week and it has only been exacerbated by the reminder that while I was at the beach, a tremendous number of my friends’ parents died. I’m at the age where these deaths aren’t uncommon, but they were happening at a startling pace over the past few weeks. 

Additionally, today brought news of the death of a music executive I had known during my Billboard tenure. She had seemed so strong and so indomitable when she headed up a number of labels that the fact that death somehow beat her at a relatively early age doesn’t seem possible and is shocking. My Facebook page has been filled with remembrances by people who worked for her and with her and they’ve only served to make me sad that I didn’t know her better. To the person, those who worked closely with her have mentioned what they learned from her. What a wonderful legacy.  She will live on in all those people every time they use something she taught them. 

Her passing, and all these passings, are just reminders that our time here is short and we don’t know when our time ends. When I was younger, the story about how no one will ever have “I wish I’d worked more” on their tombstone used to bother me because I have been one of the lucky ones: I’ve always loved what I’ve done for a living and feel so unbelievably blessed that I have been able to pay my keep by doing something that gives me, on most days, a tremendous amount of pleasure and enjoyment. Yet, as I get older, I find myself increasingly aware that the sand is passing through the hourglass. Statistically, I should have several decades left, but as many of these recent deaths have shown, that’s not guaranteed, and today was a reminder of that. 





Click here to get “Causes and Effects” delivered every day to your email inbox (the subscription link now works) or enter your email in the top right corner.



14 September 2013

He Ain't Heavy, He's My (Little) Brother...

UPDATED: Scroll to the end...


(I'm still on semi-vacation at the beach, so I'm taking a little blog break. I love this post because it has something so few of them do: a thru-line. My former Billboard colleague Geoff Mayfield writes about a great experience he had helping others and we get to hear the end of the story. Plus, as he says at the start, it's almost impossible to volunteer and not feel like you are getting way more back than you are putting in. Geoff and my cubicles were beside each other when we first met at Billboard in New York, and then we ended up with offices beside each other a few years later after we both eventually transferred to Los Angeles. He's a great neighbor no matter what the coast.--Melinda)
 You’ve probably heard it so often enough that it sounds cliché. Someone you know, or someone you read about, talks about volunteering for any number of praiseworthy causes, and says of that program’s beneficiaries, “You know, I get more out of this than they do.” But, in slightly less busy days when I worked for the erstwhile Camelot Music chain at their headquarters near Canton, Ohio, that was exactly the case when I volunteered for Big Brothers Big Sisters.
 Following the example of my brother-in-law, who had been a Big Brother before he and my sister had kids, I contacted the local Big Brothers Big Sisters program, which in Canton was affiliated with the local YMCA.
 Once I’d gone through the program’s rigorous screening, they set me up on a trial date with a 13-year-old named Jeff. Normally, there aren’t “test period” for matches, but Jeff’s mother was certain her son needed a mentor, and earlier attempts to pair him with a Big Brother hadn’t worked out, so I was invited to have an outing with him before we were officially matched.
 Jeff was a football enthusiast who played in a YMCA youth league, so he was thrilled to visit the nearby Pro Football Hall of Fame. He was such a sweet kid that I was surprised the program had difficulty pairing him. I didn’t know he was aware our match was tentative until I dropped him off that afternoon. When I said, “See you later,” Jeff quickly responded, “I sure hope so.”
 The program requires a commitment from its volunteers to see one’s Little Brother or Sister at least once a week. While fun activities like movies or a ballgame are OK, you’re cautioned not to do lavish outings regularly. The goal is to provide quality time and support more than it is to be a one-person activity center.
 Sometimes, I’d simply bring Jeff over to the apartment, share dinner, and help with his homework. He enjoyed those occasions as much as he did our costlier activities.
 My rewarding relationship with Jeff was just the start of this adventure. I was soon asked to join the Canton’s chapter’s board of directors. Eventually I was elected the board’s president.
 The board helped with fundraising efforts and made sure our program was compliant with national Big Brothers Big Sisters standards. We also provided group activities for Bigs and Littles, some were as simple as pot luck dinners, others were more elaborate outings, like attending a Cleveland Indians game. We even organized a bus trip down to Knoxville to attend the 1982 World’s Fair.
 A couple of years after we were matched, Jeff moved to Columbus when his mother’s job was relocated. At that point, I got matched to a young spitfire named Travis, who I’d met earlier when one of my neighbors followed me into Big Brothers, but later had to move out of town. When Travis lost his first Big Brother, I initially tried including him in my activities with Jeff, but soon had to drop that idea when I realized Jeff wasn’t ready to share me.
 Travis’ home life had been more turbulent than Jeff’s, but he very quickly opened up with me. Our friendship became as worthwhile as the one I’d developed with Jeff. Like Jeff, he’d shown a tendency to be a bit of a hothead before we started hanging out. And, as had been the case with Jeff, we steered Travis to calmer waters.


 Most rewarding is that my relationships with Jeff and Travis aren’t distant memories.  We remain friends decades later.
 When I moved to New York, Travis and I kept in touch by mail for a while. He and his Mom later moved to Michigan. I got worried when he told me he was becoming an emancipated minor. We were out of touch for a while, but after I got transferred to Los Angeles, I was delighted to get an email from him after a gap of more than 10 years.
 Travis is married and is a committed dad to his two stepdaughters and stepson. He made a good living in construction, switched to restoring foreclosed homes when the economy slowed and now sells real estate. We stay in contact through Facebook and the occasional phone call.
 Jeff and I never really lost touch. His boyhood ambition to become a professional football player evaporated, but after a few jobs, he taught himself to play guitar and now makes a living as a troubadour singing at clubs in the Tampa Bay area, with occasional gigs in Northern Ohio and Detroit.
He’s also a great dad to his daughter and three sons, two of them 10-year-old twins who made enough noise in Pee Wee football to garner a story last year in the Tampa Tribune. Three years ago during my annual Spring Training trip, Jeff and his twins met us for one of the ballgames in Lakeland, Fla.
 Jeff and Travis have both let me know in no uncertain terms that I made a positive impact on their lives, but each of them sure added a lot to mine too.
If you have enough time to be a Big Brother or Sister, I guarantee you’ll treasure the experience. Big Brothers Big Sisters is Melinda’s beneficiary today, but the Mayfields will also be making a donation.
-Geoff Mayfield

UPDATE: Travis Otto posted on my Facebook page after Geoff reposted the blog and his words were so beautiful I wanted to include them. What a wonderful reminder that an act of  kindness can make a tremendous difference and can have a ripple effect that touches many, many lives.-- Melinda 

FROM TRAVIS OTTO: 

I cannot possibly say in words the impact Geoff has had in my life because who really knows where any of us would be without key persons that came into our lives at just the right time to help or guide us when we needed it the most, it is often for the most part impossible to measure. All I can say is I am certain I would not be the person I am or in the place I am at in life without the help of him and a few others like him that reached out to me at the exact right moments. When I first met Geoff I was an impossible "spitfire" as he called it, a raging lunatic would likely be a better term however. It was a difficult and awkward time for me with no real guidance or help to be found at home. He helped to lay the ground work to show me life was about your actions, what you do and how you carried yourself that matters, not how much noise you make along the way. I have come along way from where I was back then. I have never been one that has been good at displaying or sharing feelings but hope that he knows the HUGE impact he has had in my life and how grateful I am for the time he invested in me. I think and hope that I have helped to pass those same lessons and traits on to my children. As my friend Nancy  Malone says, JKLP- "Just Keep Loving People". ONE PERSON REALLY CAN MAKE A DIFFERENCE!! Thank you Geoff Mayfield for making a difference with me!

Click here to get “Causes and Effects” delivered every day to your email inbox (the subscription link now works) or enter your email in the top right corner.







27 August 2013

Robin Weaver Clark



My first mentor, Robin Weaver Clark, died 18 years ago this month. 
I met Robin when I was a senior in high school. He was a reporter at The Raleigh Times, my hometown’s evening paper (remember when cities had both a morning and nightly paper?) For Cat Talk, Millbrook High School’s student paper, I decided to shadow him for the day and find out what real reporters did. 
I don’t even remember how Robin drew the short straw. I know I didn’t call him directly, but through a great act of serendipity, I ended up with him. He wasn’t that much older than I was: He was 24 and I was 17, but that’s a huge gap when you’re 17. He was slight, with light brown hair and the brightest, twinkliest blue eyes I’d ever seen. I’d describe him as impish, but he was too sexy and too charismatic for that. He had a low voice and a southern drawl and a slow smile that suggested he knew something you didn't. We covered a funeral of a beloved music teacher who had been murdered in a 7-11 store hold up. He’d simply been in the wrong place at the wrong time. 
Robin was skittish as we zig-zagged through the graveyard at the burial, telling me later that his father had committed suicide when he 15 and he’d hated cemeteries ever since. He had an irrational fear of falling into an open grave.
Robin treated me like an adult, which isn’t something a lot of people do when you’re in high school. He answered all my questions and asked me a lot about myself. He took me seriously as a reporter. From the start, he acted like I was a colleague.I got home and I sat in my room quietly for a very long time, listening to music. Covering the funeral was intense and Robin masterfully handled the line between respect and getting what he needed for his story and it was a lot for me to take in.
We stayed in touch and sometimes I’d hang out at the drinking hole he and the other reporters went to after deadline, but that came to a pretty quick stop. I’m sure some of them weren’t so thrilled about having an underage girl around while they were guzzling beers and swapping stories. But Robin never seemed to mind. He always made me feel welcome.
My article on Robin won the North Carolina Scholastic Press Association’s feature story of the year. I don’t think I’ve ever been so excited to make a phone call as I was to call Robin and tell him.  I wanted him to know his investment in me hadn’t been wasted. 
I went away to college and we didn’t see each other much for the next four years. He moved to Charlotte to write for the Charlotte Observer. My mom and I ran into him when I was home for Christmas one year because he’d written a series about the Hell’s Angels and they'd beaten him up and were still after him, so he came back to Raleigh for a cooling-off period. The series was nominated for a Pulitzer.
Right after college graduation, I worked for a magazine called Amusement Business, Billboard’s sister publication, in Nashville. AB covered all forms of live entertainment, including fairs, carnivals, theme parks, sporting events, and concerts. I was an editorial assistant, but was thrown into writing and traveling to cover events right away. My first byline was on a story about Victor the Wrestling Bear. Victor and his owner traveled from fair to fair and he wrestled men (it was always men), who were stupid enough to get into a ring with a bear. As you can imagine, Victor's record was all wins and no losses. After a victory, Victor's reward was a Coca-Cola (he was very specific about the brand). I sent Robin the article and asked him to critique it. He wrote back a serious, thoughtful letter, telling me which parts were good and which parts weren’t. And he gave me some of the best advice I ever got: Great writing isn’t what you leave in, it’s what you leave out. Even more important than the words was Robin's Invaluable support. It was unconditional. He believed in me and that made me believe in myself. 
A few years passed and I eventually landed at Billboard in New York. Around 1992, I called Robin to check in. By then he’d moved to Philadelphia for the Philadelphia Inquirer. He called back later that day from Laramie, Wyoming. The paper was going through an economic downturn and had offered a number of staffers the chance to take a year off. They wouldn’t get paid, but they’d keep all their benefits and have their jobs waiting for them. Robin had been going through a tough time: his first marriage had ended, one of his siblings had died of cancer, and another one was fighting it. He’d bought an old VW van and was driving across country for the year, stopping wherever he wanted. He had a guitar, his address book, some notepads— in case he came across a story he couldn’t resist—and that was all he needed. 
That phone call changed everything. It was the first time he’d talked that much about his life and, while he’d always treated me like an equal even when I clearly was not, for the first time I felt worthy of acting like one (not that I will ever construct a sentence as beautifully as he could; I still read his writing for inspiration). 
After his year off, the Inquirer transferred him to Los Angeles. After not seeing each other for six years, we went out to eat when I was in town on business in 1992. We went to Barney’s Beanery and drank way too much and ate way too much and we talked about writing. How magical it is. How lucky we felt that people let us into their lives. What a privilege it is to get to tell stories for a living.  We traded tale after tale. We also talked about life. My family was going through a very difficult and painful time and I told him everything as he listened quietly. And just like he did with my writing, he gave me advice that I still put into practice every day. And we laughed. A lot.
For the next few years, I’d try to see him when I came to Los Angeles. He lived in Manhattan Beach and on one visit, I spent the night there. We walked to his favorite Mexican restaurant for guacamole and lots of tequila.  He was catnip to women (something I clearly didn’t realize until I got older) and it was hilarious to hear his stories. I’d never met anyone before—or anyone since—who enjoyed himself so much and yet treated everyone with such respect and kindness. He could pick up a woman just from looking at her in his rearview mirror (true story) and yet he was the furthest thing from a cad.  We went back to his apartment, which was right on the beach, and played music. He adored Marcia Ball and Chris Smithers and he loved that I worked at Billboard and could turn him on to stuff that he might not already know about. 
In 1995, Robin was covering the O. J. Simpson trial. He hated it. He enjoyed the other reporters and had made close bonds with many of them, but he couldn’t stand being confined and not being able to find his own stories while the case dragged on. Plus, there were so many journalists and only a few could sit in the actual courtroom, so the rest had to camp out in a trailer and watch a closed circuit feed. He was looking so forward to when the trial was over. 
Then one day in August, 1995, my mother called me and told me she had horrible news. In the local Raleigh paper, she read that Robin had been killed the day before. His cousin and a friend were visiting and during his lunch break from the trial, he’d taken them up Pacific Coast Highway. A Mercedes hit his car. He still had the old VW bus, which had no seat belts, and he’d been thrown clear of the van and died instantly, as had the two women with him. 
Judge Lance Ito paid tribute to Robin. So did Dominick Dunne, who was covering the trial for Vanity Fair. In a loving salute, even though chairs were at a premium, one seat inside the reporters’ box in the courtroom was kept empty for the rest of the trial for Robin.
Even as I write this 18 years later, the loss still feels fresh, incalculable and insurmountable. He started as my mentor, but he became my dear friend. I don’t know if I have learned as much from any other person about what it meant to be a writer, and, more importantly, a human being, as I did from Robin. When I moved to Los Angeles in 1998, I thought, as I frequently do, about what fun it would have been to live in the same city as Robin again. Though I imagine his wanderlust would have carted him off to somewhere else by then in search of another story.
For years, UNC’s School of Journalism offered a scholarship in Robin’s name, but when I looked for it today, I couldn’t find it. Instead, I’m giving to a newly started journalism scholarship, this one at the University of Texas in Austin in honor of another great journalist, Chet Flippo (and started by artist manager Nancy Russell). Chet was my colleague at Billboard and a funny, graceful writer. He died earlier this year. Robin and Chet would have dug each other. 

Click here to get “Causes and Effects” delivered every day to your email inbox (the subscription link now works) or enter your email in the top right corner.


24 June 2013



I studied improvisation at Second City several years ago and, as anyone who has ever taken an improv class knows, the prime rule of improv is “Yes and...”   If your improv partner says, “Things really got weird when the man wearing the tutu and tiara served me Communion yesterday,” your only option is to go with that and build on it. Otherwise, if you say, “That didn’t happen....” or something similar, the scene comes to a dead stop. 

I now think life comes to a dead stop if you don’t say “Yes and...” to the ideas that are presented to you and I have the blog to thank for that.

Part of my journey this year is to say yes more. Though you wouldn’t know if unless you knew me very, very well, I can be a bit of an Eeyore. I’m not gloomy or depressed or have my tail attached by a nail and a bow, but I often think of why something won’t work before I think of all the reasons why it will.

Three weeks ago, I wrote about how letting go of that kind of thinking led to my getting a beautiful new (to me) bed for free. Two weeks ago, I let all that go again. My friend Cathy and I were on the phone talking about the Songwriters Hall of Fame induction ceremony. The SHOF takes a number of songwriters each year and salutes them. It’s a private banquet and it is one of the best evenings I have ever attended. When I was at Billboard, the SHOF and MusiCares were my two favorite annual events. Any artist will tell you that he or she wants to be remembered as a songwriter more than as a performer or recording artist because a song lives on forever. It’s always a magical night, with songwriters saluting their own kind all in celebration of song. 

Cathy had written about SHOF’s upcoming induction for Billboard and I had told her that she had to get herself from D.C. to NYC for the ceremony no matter what. So three days in advance, we were talking about her trip and I was making her promise to text me all during the event. I was in North Carolina visiting my dad. It must have hit us at about the same time, but next thing you know, we were figuring out if I could meet her in New York in less than 72 hours and go with her. She emailed the SHOF to see if they had a press place for me (tickets are normally $1000/pop), I started scouring the web for a cheap airfare and texted my neighbor in Los Angeles to see if she could overnight the dress I wanted to wear to me. The old me would have said there was no way it could all work out and we still had to leave some major parts up to good luck and chance, but with a framework in place, by the end of Tuesday, I was set to fly to New York on Thursday morning. 

Of course, that day, storms came through the Northeast and flights were getting canceled and delayed left and right. Somehow, my flight, even with a change on D.C., managed to get in only an hour late. It was supposed to be pouring in New York. It was only overcast, not a drop in sight. I was supposed to be confined to a separate viewing area, I was at a table behind Billy Joel. Ever star that could possibly align did and it was all because I was willing to say yes and go even though there was a great deal of uncertainty around some areas of the trip. 

The evening was, as always, magical. I got to see artists and songwriters whom I adore like Elton John, Steven Tyler, Rob Thomas, and Joel. Seeing Lou Gramm and Mick Jones reunite for the first time in more than a decade to perform Foreigner’s “I Want To Know What Love Is” with a choir,  hearing Petula Clark sing “Downtown” to the tune’s songwriter/inductee Tony Hatch and watching Alison Krauss breathe angelic life into honoree J.D. Souther’s “Faithless Love” were all supremely wonderful moments. 

This year continues to change me and I’m convinced the blog is leading the way by opening my heart every day. The connection between the blog and my willingness to jump on a plane may not be readily apparent, but it’s there and it’s something I’m tremendously grateful for. 

And I’m thankful for music and songwriters. The SHOF doesn’t take donations online, so, instead, I’m donating to a British organization called The Songwriting Charity.

Through a variety of partners, The Songwriting Charity presents one-day workshops that teach children how to write songs and record them individually and as a group. Guy Fletcher, who has written songs for everybody, including Elvis Presley, the Hollies, Cliff Richard, Ray Charles and many, many more, is the group’s main patron. Who knows? A kid who attends one of their workshops today could be getting inducted into the Songwriters Hall of Fame a few years from now. 



Click here to get “Causes and Effects” delivered every day to your email inbox (the subscription link now works) or enter your email in the top right corner.


19 June 2013


Today, my colleague Chet Flippo died. Chet and I worked together at Billboard for five years. He was in Nashville, I was in New York and then Los Angeles. 

Though Chet didn’t come to Billboard until 1995, I, of course, already knew who he was. I’d grown up reading his stories in Rolling Stone. One of the first things I did after he started at Billboard was buy his book, “On the Road With the Rolling Stones: 20 Years of Lipstick, Handcuffs, and Chemicals.” It was hard to reconcile this genteel southerner that I met with someone who had gone on the road with rock’s bad boys. 

What I remember most about Chet, in addition to his writing talent, was his humility. He’d regal you with stories if you asked, mainly because it would be impolite to refuse, but otherwise, he was happier fading into the background and watching the proceedings rather than being part of the show. That’s part of what made him such a good reporter. Even when he injected himself into a story, he never made the focus about him. 

Chet had a sly sense of humor that generally showed itself in quiet moments. Everyone else would have had their say and he’d finish the conversation with a summary comment that would have you laughing and shaking your head because you hadn’t thought of it first. 

Chet was a champion of great music. He didn’t care how many copies a record sold, he only cared about the quality of the music. 

After leaving Billboard in 2000, he went briefly to Sonicnet and then to CMT and CMT.com, where he was at the time of his death. I would see him every now and then on my trips to Nashville and we were Facebook friends, but we weren’t in close contact, simply because Chet was very private. When Billboard asked me to write his obituary today, I told my editor that I wasn’t sure that I was the best person to do so:  I respected him and had enjoyed working with him, but was sure there were people that knew him better. Then throughout the day, friend after friend posted tributes to Chet, but they almost all said that they hadn’t been that close to him. He was never aloof —just the opposite— he just separated his work life from his personal life.

His personal life was dealt the ultimate blow in December when his wife of more than 30 years died. I never met Martha, but people talked about how she was the yin to his yang. She talked, he absorbed, and they loved each other fiercely. 

So today as word spread of Chet’s death, I wasn’t the only one who thought that maybe he was just ready to rejoin Martha. That’s a romantic notion that Chet might laugh at, but it just might be true. 

In a CMT.com piece on Chet, his friend Kinky Friedman commented, quoting Larry King, that God “had bugled Chet home.” I love the image of that. If anyone deserved music to accompany him on his journey, it would be Chet. 

Chet Flippo died  at 3 a.m. this morning at Saint Thomas Hospital in Nashville. Today’s $10 goes to St. Thomas’s Baptist Hospital Foundation, which helps patients in need. 




Click here to get “Causes and Effects” delivered every day to your email inbox (the subscription link now works) or enter your email in the top right corner.

170 down, 195 to go





13 June 2013



(I’m in New York on a last-minute trip.  Today’s  guest post is by my friend Thom Duffy, with whom I worked at Billboard. He is the magazine’s special features editor.) 


This is how I first learned that we only move forward when we all pull together.

We stood in a line, our feet braced against the gentle rocking of the boat, our young fingers grasping the thick, braided halyard. Then, at the directions of the crew, we tugged that line hard, hand-over-hand, and the beautiful white mainsail rose above our heads, catching the wind coming down the Hudson River. The majestic sloop Clearwater surged forward away from the shores of Manhattan.

My father took me for a sail on the Clearwater when I was young, only a few years after the boat’s maiden voyage in 1969. Decades later, I’ve taken my own children aboard, seeking to share the lessons that went far deeper than raising a sail, with messages of collective empowerment and environmental responsibility.

A replica of the mid-19th century sloops that once commanded the waters of the Hudson, the Clearwater was created through the vision of musician and activist Pete Seeger, unquestionably one of the most important social and cultural figures of the 20th century. 

Proving you can change the world with a five-string banjo and a sing-along, Seeger, who is now 94, has crusaded throughout his life for peace, social justice and the environment, while giving us songs including “"If I Had a Hammer (The Hammer Song)," "Where Have All the Flowers Gone," and "Turn! Turn! Turn! (To Everything There Is a Season).”



In the mid-1960s, when the Hudson was so polluted that fish had disappeared over miles of its length, Seeger proposed “to build a boat to save the river.” 

In the decades since, more than a half-million children (and their teachers and parents) have sailed aboard the Clearwater, learning to love and care for the river. The result has been a political and social force which has not only cleaned up the Hudson but sent ripples of influence throughout the environmental movement worldwide, as the Clearwater inspires and educates future activists.

On June 15 and 16, the annual Clearwater festival, the Great Hudson River Revival  will draw thousands to the shores of the river in Croton Point Park in New York’s Westchester County. They’ll celebrate, in song, the spirit and accomplishments of the Clearwater, but also its promising future.

“We have a saying that resonates in everything Clearwater does: `Creating the next generation of environmental leaders,’” says Jeff Rumpf, executive director of the sloop’s parent organization. “And we’re focusing on making sure that next generation of environmental leaders has the tools that they need to lead.”

-Thom Duffy

June 13: Clearwater


Click here to get “Causes and Effects” delivered every day to your email inbox or enter your email in the top right corner.





25 February 2013


Today would have been George Harrison’s 70th birthday. I never met him, but I felt like I did. 

My editor in chief at Billboard, Timothy White, was close to Harrison, as he was with several other music superstars from his days at Crawdaddy and Rolling Stone.

White was a titan in the world of consumer rock journalism by the time he came to Billboard in the early '90s and he rocked our trade magazine’s boat in ways both good and bad. He was a very complex person, whip smart and fascinating, yet there were people on staff that he treated unfairly due to his own very human shortcomings. Despite some initial skirmishes, he was great to me in many ways, including promoting me to Billboard’s West Coast Bureau Chief in 1998. It was after I relocated from New York to Los Angeles that we became much closer, in part because he worked very late the nights that he was in New York (he commuted every week from Boston) and would often need an ear. I would be the only one to call since everyone in the New York office had long departed and I was working late in Los Angeles as well.  

One of the greatest honors I received at Billboard was when he asked me to serve as his editor on a few pieces, including an in-depth interview he conducted with George Harrison that ran in early 2000 after he'd spent time with Harrison at his residence, Friar Park. I remember being terrified. It was pretty easy to set Timothy off with some unsuspecting comment, plus his writing could be a little longwinded, but I realized if he was asking me to edit him, he really wanted my opinion. So I gingerly, but confidently, suggested a number of changes, all of which he agreed to or, if he didn’t, had a very good explanation as to why not. We were on the phone at some absurd hour-- maybe 11 p.m. my time/2 a.m. his time and it was an extremely easy, congenial, collegial endeavor that I enjoyed immensely. Editing that story and one of his Music To My Ears columns about the Blues Brothers remain two of my most precious memories of Timothy. Instead of boss and employee, we were two writers hashing through a story about a man dear to both of us: to him personally and to me as a fan.

Harrison died Nov. 29, 2001 at 58. What none of us could have known was that seven months later, Timothy would be dead too after suffering a fatal heart attack in the elevator at Billboard's New York office after coming back to lunch with his best friend and his family. He was only 50. 

I should probably save this for the anniversary of Timothy’s death in June, but I will never forget that day. The Los Angeles office was having its company picnic and Howard Lander, Billboard’s then publisher, called me to tell me that Timothy has collapsed (at that point, we didn’t know he’d died). He told me to send my staff to the picnic (which was in the office backyard), but that I needed to stay by the phone. About 20 minutes later, he called me to tell me that Timothy had passed and that I need to write his obit since Timothy had the unfortunate timing of dying just as we were going to press. With no time to even process what had happened and still in shock, I had to go tell my staff and then I had to try to sum up his life in 1000 words in 60 minutes, including that he was leaving behind 10-year old twins. 

I rarely think of George Harrison without thinking of Tim, which prompted me to tell this tale. 

In honor of Harrison, today’s $10 goes to Harrison’s Material World Foundation, a non-profit he started in 1973. According to the organization’s website, the Foundation encourages “the exploration of alternate and diverse forms of artistic expression, life views and philosophies as well as a way to support established charities and people with special needs.” In some ways, that perfectly sums up Tim.



56 down, 309 to go.